Fallingwater

Frank Lloyd Wright’s most iconic, and easily most popular home. The house was built partly over a waterfall in Bear Run at Rural Route 1 in the Mill Run section of Stewart Township, Fayette County, Pennsylvania, in the Laurel Highlands of the Allegheny Mountains. For the decades since the public opening of Frank Lloyd Wright’s Fallingwater, the home has been a point of pilgrimage for the famed architect’s fans. Four million people have already visited the home.

More...
This organically designed private residence was intended to be a nature retreat for its owners. The house is well-known for its connection to the site: it is built on top of an active waterfall which flows beneath the house. The fireplace hearth in the living room is composed of boulders found on the site and upon which the house was built — one set of boulders which was left in place protrudes slightly through the living room floor. Wright had initially intended that these boulders would be cut flush with the floor, but this had been one of the Kaufmann family's favorite sunning spots, so Mr. Kaufmann insisted that it be left as it was. The stone floors are waxed, while the hearth is left plain, giving the impression of dry rocks protruding from a stream. Integration with the setting extends even to small details. For example, where glass meets stone walls, there is no metal frame; rather, the glass is caulked directly to the stone. There are stairways directly down to the water. And in the "bridge" that connects the main house to the guest and servant building, a natural boulder drips water inside, which is then directed back out. Bedrooms are small, some even with low ceilings, perhaps to encourage people outward toward the open social areas, decks, and outdoors. The active stream (which can be heard constantly throughout the house), immediate surroundings, and locally quarried stone walls and cantilevered terraces (resembling the nearby rock formations) are meant to be in harmony, in line with Wright's interest in making buildings that were more organic and which thus seemed to be more engaged with their surroundings. Although the waterfall can be heard throughout the house, it can't be seen without going outside. The design incorporates broad expanses of windows and the balconies are off main rooms giving a sense of the closeness of the surroundings. The experiential climax of visiting the house is an interior staircase leading down from the living room allowing direct access to the rushing stream beneath the house-Wiki

Source: DesignCrave via Notcot.org

Green Idea


Luminous idea! An installation created by a design firm, MLSK, dubbed "Watershed" and realised using trash plastic bottles. What better way to create awareness, create a piece of art of course! Read more at Inhabitat.

Me Likey

Bolle vases by Tapio Wirkkala for Venini, 1966. These luminous glass vases by the mid-century Finnish maestro employ the traditional incalmo technique, which combines separate masses of colored glass into one for. 1966 really? hmm

There's something very appealing to this outdoor decor. Try to imagine the crazy partying going on at the other end of the entryway:)

Bilberry pendant light by Alvar Aalto for Artek, 1956. The Finnish architect created this light for one of his most important residential designs, the home of Louis Carré, a prominent French art dealer who represented Leger and Picasso.

Inside the Dexter designs, Marie Aiello gives Dexter Morgan a killer new home. I might watch Dexter just to get to see the whole bachelor pad...

Greta Garbo's Legendary Home Revived. Infinity pool, dreamy indeed.

All's from PointClickHome

Dining Rooms






Are they meant to be formal?
Or open plan and incorporated into the living room?
Or are they irrelevant seeing as we eat in the kitchen now most of the time?
What's your say?

(All photos are from housetohome)

Decor ideas










A collection of things I found lovely and put into a file and kinda forgotten there. How could I? So am posting these eye candy here. Some much needed beautiful things to inspire especially in the middle of my very very hectic week! I'll be back soon to some more regular posting...

Images are from: DrakedDesignAssociates, Elle Decor, Jonathan Adler, JeffAndrewsDesign& DominoMag

Behind Beautiful Mauritius

Tracking down who were some of the designers/architects behind our many amazing resorts& spas. [And collecting photographs who will absolutely floor anyone dreaming of a get-away, but that is for another post:) ] Let me tell you straight away that I set myself an almost impossible task, because air tickets and fares and packages are all that seem to interest web sites featuring hotels in Mauritius. On a side-note, DO NOT let the eye-popping fees get you down. We aren't all about luxurious 6-star accomodations inaccessible to the common of mortals, I assure you!:) Here's what I managed to find out:

By James Park Associates Design Consultants

Taj Exotica Resort& Spa, Mauritius
65 elegantly set villas and suites, offering spectacular views of the sea, private pools, open garden showers, al-fresco lounge and dining areas, and more. There are two restaurants, a bar, a signature ayurvedic spa, a state-of–the-art sports club and a kids club. The interiors were inspired by French Colonial, Indian, African, and Arabic design.

Jive Grande Spa
The spa overlooks Tamarin Bay and is built around a central courtyard with verdant gardens and a reflecting pool. The spa offers six treatment suites with their own relaxation gardens along with a sanarium, laconium and hamam. External tropical showers and resting pavilions are included in the design which blends local and colonial influences.
(Source: jpadesign.com)


Designer of Four Seasons Mauritius: Richmond International. The Eclipse Mirror was used in the washrooms in this brand new idyllic 5 star resort. This IP44 rated mirror has a hand blown opal glass diffuser that gives a fabulous even spread of light.
(Source: House of Orange)

Shanti Ananda

Architecture by Jean-Marc Eynaud/Interior Design by Chandu Chhada/Landscape Architecture by Bill Bensley.

The designer believes the key feature of the hotel is that it is a destination spa. The word ananda indicates that it has philosophical underpinnings that make it much more than that. “Ananda means bliss in Pali, Sanskrit and other Indian languages and was the name of one of the principal disciples of Buddha,” says Chhada. In recent years it has also become the name of a global holistic movement. “The director of the hotel and I dreamed of a holistic spa,” explains Chhada. “We created our first Ananda hotel in northern India, and we revived rituals discovered there 3,000 years ago.” What Chhada hoped to achieve with his first Ananda hotel and Shanti Ananda Maurice is a sense of harmony.

Shanti embodies his vision. The complex is located on 32 acres on the shore of a less populated part of the island. It has 55 rooms that overlook the ocean and are a minimum of 500 to 600 square feet each. A spa offers hydrotherapy and Swedish massage, and three swimming pools are nestled among lushly landscaped gardens. Trained attendants are flown in to give special spa treatments. “The expert staff contributes to the relaxation of mind, body and soul,” says Chhada.

Architect Jean-Marc Eynaud was brought in to design the buildings. “I tried to create something different for guests than they would find at home,” he says. Eynaud has lived on Mauritius since birth, and, in 20 years of practicing architecture, he has worked in the Seychelles and other maritime locations. “I tried to make the hotel reflect a typical tropical architectural style,” he says. “There is no characteristic Mauritian architecture apart from the manor house style in the homes of the French and British settlers, which was a cross between Anglo-Indian buildings and what they would have aspired to at home.” For the hotel, Eynaud used natural materials: local hardwoods, lava stone, granite, marble and slate. The roofs of the buildings, with their distinctive pyramidal shapes, are derived from tropical models. They are sheathed in wood shingles or covered with sugarcane thatch.

As Chhada explains, “The principal product of Mauritius is sugarcane, and every part of it is used. It produces sugar- cane, rum, white sugar, brown sugar, and the skin is used for thatch or flooring mats.”

Another native material that is ubiquitous is the palm leaf. This was the inspiration for a sculpture he designed, with stylized concrete palm fronds, that covers a wall in the corridor between the lobby and the restaurant. The hotel has two restaurants, a bar, the reception building and a number of structures that each have four suites. In addition, there are separate villas, “which are so popular that we recently added six more,” says Eynaud. “We took a lot of care to create rooms to the scale of a house.”

The villas are laid out for maximum sea views and privacy. “The area on the beachfront is more public; it is for use by all the guests,” Chhada says. Throughout the complex are numerous water features designed to provide “a visual coolness.” There is a cascading pool and a large reflecting pool with a footbridge that leads to the lobby. “These pools signal the serenity that we hope guests will attain during their stay,” says Chhada.

When visitors arrive, they are greeted by staff members, who bow with their hands folded together and placed before their chests. This gesture, known in Sanskrit as namaskar, symbolically means “may our minds meet.” Guests are then given a garland of rudraksha beads, which are made from the seeds of an evergreen that grows from the plains of the Ganges to the Himalayas. Rudraksha beads have been used in meditation in India for thousands of years, and they are believed to combat stress and hypertension and promote a meditative state.

Such rituals support the holistic spa experience that unfolds as guests enter the tranquil world of Shanti Ananda Maurice-Architectural Digest(2008)

(Source: Architectural Digest)